# PROMPT VIDEO — 10 FULLREELS BU AYU / AMPAS BERKAH (AMPK)

Semua: 15 detik satu take 9:16 · VO Indonesia cepat-jelas ala TikTok (±160 kata/mnt) · musik emosional
mengikuti isi (R5 sengaja kalem) · **TANPA subtitle/caption** — jatah editor · headline baked dari frame
tahan 3 detik lalu fade · CTA jualan cuma R6 & R10.

Format ngikutin creative **WINNING** AMPK (VIDEO04 = ~200 dari 232 penjualan, isinya produk close-up):
R2/R3/R4/R5/R7/R8 = B-roll + voice-over (produk & tangan jadi bintang, R4/R5/R8 muka nggak muncul
sama sekali), R1/R6/R9/R10 = talk-to-cam buat bangun sosok Bu Ayu. Tiap prompt **PAS 7000 karakter**.

Cara pakai: upload frame FRxx sebagai **Image 1** di Seedance → tempel prompt reel itu.

---

## REEL 1 — KENALAN (`FR01-kenalan.png`)

```text
REFERENCE LOCK — Use Image 1 as the absolute appearance reference for every single frame. The video's very first frame must match Image 1 exactly: same pose, same framing, same props, same on-screen text, and all motion begins from that exact pose. The subject is the same Indonesian woman around forty shown in Image 1: warm medium-tan skin with real texture — visible pores, faint natural shine, no retouching. Round full face with plump cheeks and a rounded jaw. Dark brown almond eyes with gentle smile lines. Thick natural eyebrows. Small rounded nose, no lipstick. Dark brown-black hair with a centre part pulled back into a simple low bun that keeps the same shape for the entire clip, a few loose strands at the temples. No glasses, no headscarf, no jewellery. Softly full motherly build, an ordinary Indonesian housewife, not a slim model. She wears the exact same brown batik-patterned blouse shown in Image 1. In one hand she holds up the small jar of dark coffee scrub from Image 1; a used paper coffee filter full of wet spent grounds sits on the table beside her. She only ever touches these.

BACKGROUND LOCK — the location from Image 1 stays completely static for all 15 seconds: every jar, tray, cloth and shadow stays exactly where it is in Image 1 unless her hands move it. Nothing else in the background moves, nobody passes, no light changes.

SHOT — one single continuous take, vertical 9:16, front-camera phone at eye level, chest-up framing exactly as Image 1. Subtle handheld micro-shake. One slow push-in to roughly 107% across the 15 seconds. No cuts, no transitions.

PACE — TikTok-style energy: she talks FAST and CRISP, around 155 to 165 words per minute, punchy and animated, no dead air, gestures snap quickly from beat to beat, yet every word stays perfectly clear and articulate. Lip-sync must match every syllable exactly.

TIMED ACTION, EMOTION AND DIALOGUE:
0.0–0.3: she is mid-pose exactly as in Image 1, a quick breath, eyes locked to the lens, already energised.
0.3–3.0: she lifts the jar closer to the lens and turns it slowly so the label catches the light, saying quickly and clearly, exactly: "Ini dulu ampas kopi yang tiap pagi kubuang."
3.0–3.4: she sets the jar down and lifts the paper filter of wet grounds.
3.4–6.6: she tilts the filter toward the lens with a small self-mocking laugh, and says quickly and bright, exactly: "Dulu kukira ini sampah. Ternyata modal usaha."
6.6–7.0: she leans roughly ten centimetres closer to the lens.
7.0–10.8: with a small open-palm gesture toward the finished products on the table, confident and driving, she says exactly: "Sekarang dari ampas ini aku bikin lulur sama sabun." — one natural blink near second 9, eyes never leaving the lens.
10.8–11.0: micro beat, her smile widens in anticipation.
11.0–14.6: she points at the lens with a warm grin, and says quickly and crystal clear, exactly: "Follow aku ya, kuceritain caranya pelan-pelan." — warm open smile, energy at its highest.
14.6–15.0: she holds the final pose and the smile as the music resolves, one final blink, end of clip.

VOICE — a warm mid-range Indonesian woman's voice around forty, gentle and motherly, light Javanese-Indonesian accent, TikTok voice-note energy: fast, bright, punchy, confident, but kind and welcoming — never an announcer, never robotic. Crisp articulation on every word even at speed; extra emphasis punching the words "kubuang", "sampah" and "modal usaha". Tiny breath before the first and third lines, an audible smile in the voice on the last line.

MUSIC — an emotional melodic backing track runs the full 15 seconds and tells the same arc as the visuals: 0.0–3.0 sparse warm piano, humble and a little wistful; 3.0–3.4 a quick gentle riser as the filter appears; 3.4–6.6 a hopeful lift with soft acoustic guitar; 7.0–10.8 building brighter and fuller, proud and driving; 11.0–14.6 the brightest, most emotional peak with a light rhythmic pulse; 14.6–15.0 a soft satisfying resolve ending exactly with her held smile. The music is instrumental or soft wordless vocal hums only — no sung lyrics that fight the voice — and it is always mixed clearly UNDER the voice: the spoken words remain the loudest, clearest element at every moment, music ducking slightly under every line.

SOUND DETAIL — under the music: the soft clink of the glass jar on the wooden table, faint paper rustle of the filter. The voice sits close, dry, slightly compressed like a phone mic. No reverb, no whoosh, no cinematic sound design.

ON-SCREEN TEXT — the baked headline from Image 1 ('DULU KUBUANG', 'SEKARANG KUJUAL', 'ini ceritaku') stays exactly as rendered until second 3.0, then fades out over 0.4 seconds and never returns; do not redraw or morph it. After the fade there must be NO text on screen at all for the rest of the clip: no subtitles, no captions, no word overlays, no stickers, no emoji — the human editor will add captions in post-production, so the video must be delivered completely clean of text.

LOOK — ordinary warm indoor light from a window, mild sensor noise, slightly warm white balance; subject sharp, background softly defocused; no colour grade, no cinematic contrast. It must look like real phone footage an Indonesian mother recorded at home — raw, alive, believable.

DO NOT — no cuts, no scene change, no wardrobe or hair change, no other people or pets, no beauty filter or skin smoothing, no lens flare, no extra props, no logos, no watermark, no English on screen or in speech, no subtitles or captions of any kind after the headline fades, no sung lyrics over the voice, music never drowns the speech, and her face stays identical to Image 1 in every frame. The subject's identity must stay locked to Image 1 at all times. Every gesture must read clearly on a small phone screen. The pacing must feel alive from the first frame to the last. Movement between beats must be quick but never jittery. All timing boundaries are hard cues and must land on the stated seconds. The overall feel is warm, honest and completely natural. Nothing in the frame may drift or morph between the timed beats. Hand movements must stay inside the frame at all times. The final frame must hold perfectly still for the last moment. Prop positions must match Image 1 whenever the hands return to rest. The camera never reframes away from the described movement. Every expression must land exactly on the beats described, never early and never late. Skin texture must stay photographic and untouched in every single frame of the clip. The lighting must never flicker, shift colour or change direction at any point. The voice must stay perfectly synchronised with the described beats for every line. Background objects must keep their exact positions from the first frame to the last. Transitions between gestures must flow naturally like one unbroken real recording. The energy must follow the music arc described, rising and settling together. Nothing may enter the frame from outside at any moment of the fifteen seconds.
```

---

## REEL 2 — ETALASE PRODUK (`FR02-produk.png`)

```text
REFERENCE LOCK — Use Image 1 as the absolute appearance reference for every single frame. The video's very first frame must match Image 1 exactly: same pose, same framing, same props, same on-screen text, and all motion begins from that exact pose. The subject is the same Indonesian woman around forty shown in Image 1: warm medium-tan skin with real texture — visible pores, faint natural shine, no retouching. Round full face with plump cheeks and a rounded jaw. Dark brown almond eyes with gentle smile lines. Thick natural eyebrows. Small rounded nose, no lipstick. Dark brown-black hair with a centre part pulled back into a simple low bun that keeps the same shape for the entire clip, a few loose strands at the temples. No glasses, no headscarf, no jewellery. Softly full motherly build, an ordinary Indonesian housewife. She wears the exact same brown batik-patterned blouse shown in Image 1. The wooden table from Image 1 covered with finished products: jars of coffee scrub, stacked coffee soap bars, mask jars, kraft pouches and scattered coffee beans. Only her hands enter the frame, from the bottom edge; her face never appears.

BACKGROUND LOCK — the location from Image 1 stays completely static for all 15 seconds: every jar, tray, cloth and shadow stays exactly where it is in Image 1 unless her hands move it. Nothing else in the background moves, nobody passes, no light changes.

SHOT — one single continuous take, vertical 9:16, phone propped just above the table edge looking down at the work surface exactly as Image 1. The framing stays locked with only the faintest handheld breathing, one barely perceptible push-in to roughly 104% across the 15 seconds. No cuts, no transitions.

PACE — TikTok-style energy: the actions flow quickly from beat to beat with no dead air, every movement purposeful and alive, while the narration drives the rhythm fast and crisp, around 155 to 165 words per minute, perfectly clear and articulate.

TIMED ACTION AND NARRATION (voice-over — she never talks to camera):
0.0–0.3: the table is arranged exactly as in Image 1, her hands resting at the bottom edge.
0.3–3.0: her hands slide one jar of coffee scrub forward into the centre and turn its label to face up; the narration says quickly and clearly, exactly: "Semua ini dari ampas kopi bekas."
3.0–3.4: her fingers nudge the stack of soap bars a little closer.
3.4–6.6: her hands fan the stack of coffee soap bars out into a neat row; the narration says quickly and bright, exactly: "Lulur, sabun, masker — satu bahan doang."
6.6–7.0: her hands pause flat on the table for a beat.
7.0–10.8: her hands lift one kraft pouch and set it beside the jars, then smooth the linen cloth; the narration, confident and driving, says exactly: "Yang tadinya dibuang, sekarang ada harganya."
10.8–11.0: her hands withdraw slightly, leaving the full spread visible.
11.0–14.6: her hands make a small open presenting gesture over the whole arrangement; the narration says quickly and crystal clear, exactly: "Kupelajari semuanya dari nol. Follow buat caranya."
14.6–15.0: the hands rest still at the edge of the frame as the music resolves, end of clip.

VOICE-OVER — all spoken lines are post-recorded narration laid over the footage, in the same Bu Ayu voice: a warm mid-range Indonesian woman's voice around forty, gentle and motherly, light Javanese-Indonesian accent, TikTok voice-note energy: fast, bright, punchy, confident, kind and welcoming — never an announcer, never robotic. Crisp articulation on every word even at speed; extra emphasis punching the words "ampas kopi bekas", "satu bahan doang" and "ada harganya". She does NOT speak on camera: her mouth never mouths the narration words, there is no lip-sync — the voice floats over the action like a TikTok voice-note.

MUSIC — an emotional melodic backing track runs the full 15 seconds and tells the same arc as the visuals: 0.0–3.0 a warm cosy groove with soft plucks, inviting; 3.0–3.4 a quick gentle riser; 3.4–6.6 the track opens up bright and satisfying as the products spread out; 7.0–10.8 building fuller and prouder; 11.0–14.6 the warmest, most emotional peak with a light rhythmic pulse; 14.6–15.0 a soft satisfying resolve landing exactly as her hands settle. The music is instrumental or soft wordless vocal hums only — no sung lyrics that fight the voice — and it is always mixed clearly UNDER the voice: the spoken words remain the loudest, clearest element at every moment, music ducking slightly under every line.

SOUND DETAIL — under the music: the soft clink of glass jars, the dry slide of soap bars on wood, a gentle paper crinkle. The voice sits close, dry, slightly compressed like a phone mic. No reverb, no whoosh, no cinematic sound design.

ON-SCREEN TEXT — the baked headline from Image 1 ('SEMUA INI DARI', 'AMPAS KOPI BEKAS', 'yang biasa dibuang') stays exactly as rendered until second 3.0, then fades out over 0.4 seconds and never returns; do not redraw or morph it. After the fade there must be NO text on screen at all for the rest of the clip: no subtitles, no captions, no word overlays, no stickers, no emoji — the human editor will add captions in post-production, so the video must be delivered completely clean of text.

LOOK — ordinary warm indoor light from a window, mild sensor noise, slightly warm white balance; subject sharp, background softly defocused; no color grade, no cinematic contrast. It must look like real phone footage an Indonesian mother recorded at home — raw, alive, believable.

DO NOT — no cuts, no scene change, no face or head ever entering the frame, no other people or pets, no beauty filter, no lens flare, no extra props, no logos, no watermark, no English on screen or in speech, no subtitles or captions of any kind after the headline fades, no sung lyrics over the voice, music never drowns the speech, and the hands stay identical to Image 1 in every frame. The subject's identity must stay locked to Image 1 at all times. Every gesture must read clearly on a small phone screen. The pacing must feel alive from the first frame to the last. Movement between beats must be quick but never jittery. All timing boundaries are hard cues and must land on the stated seconds. The overall feel is warm, honest and completely natural. Nothing in the frame may drift or morph between the timed beats. Hand movements must stay inside the frame at all times. The final frame must hold perfectly still for the last moment. Prop positions must match Image 1 whenever the hands return to rest. The camera never reframes away from the described movement. Every expression must land exactly on the beats described, never early and never late. Skin texture must stay photographic and untouched in every single frame of the clip. The lighting must never flicker, shift colour or change direction at any point. The voice must stay perfectly synchronised with the described beats for every line. Background objects must keep their exact positions from the first frame to the last.
```

---

## REEL 3 — BAHAN GRATIS (`FR03-bahan.png`)

```text
REFERENCE LOCK — Use Image 1 as the absolute appearance reference for every single frame. The video's very first frame must match Image 1 exactly: same pose, same framing, same props, same on-screen text, and all motion begins from that exact pose. The subject is the same Indonesian woman around forty shown in Image 1: warm medium-tan skin with real texture — visible pores, faint natural shine, no retouching. Round full face with plump cheeks and a rounded jaw. Dark brown almond eyes with gentle smile lines. Thick natural eyebrows. Small rounded nose, no lipstick. Dark brown-black hair with a centre part pulled back into a simple low bun, same shape all clip, a few loose strands at the temples. No glasses, no headscarf, no jewellery. Softly full motherly build, an ordinary Indonesian housewife, not a slim model. She wears the exact same brown batik-patterned blouse shown in Image 1. At the small coffee shop counter from Image 1: the barista hands her a clear plastic bag of wet spent coffee grounds. Only these two people appear; they only touch the bag.

BACKGROUND LOCK — the location from Image 1 stays static for all 15 seconds: every jar, tray, cloth and shadow stays exactly where it is in Image 1 unless her hands move it. Nothing else in the background moves, nobody passes, no light changes.

SHOT — one single continuous take, vertical 9:16, handheld phone held by a friend at chest height. Subtle organic handheld sway, never gimbal-smooth; the camera moves only as described in the timed beats, always smooth and slow. No cuts, no transitions.

PACE — TikTok-style energy: the actions flow quickly from beat to beat with no dead air, every movement purposeful and alive, while the narration drives the rhythm fast and crisp, around 155 to 165 words per minute, perfectly clear and articulate.

TIMED ACTION AND NARRATION (voice-over — she never talks to camera):
0.0–0.3: the handover is mid-motion exactly as in Image 1, both smiling.
0.3–3.0: she receives the bag with both hands and hefts it once to feel the weight; the narration says quickly and clearly, exactly: "Ampas kopi di cafe itu dibuang tiap hari."
3.0–3.4: the barista turns back to the machine, tapping out a fresh puck of grounds.
3.4–6.6: she holds the bag up toward the light and looks at the dark grounds inside; the narration says quickly and bright, exactly: "Aku tinggal minta. Gratis, malah dibantuin."
6.6–7.0: she tucks the bag under one arm.
7.0–10.8: she gestures toward the bin behind the counter, then back at her bag; the narration, confident and driving, says exactly: "Sekilo ampas gini bisa jadi belasan jar lulur."
10.8–11.0: she gives the barista a small thankful nod.
11.0–14.6: she turns to the camera with a bright easy smile and lifts the bag once; the narration says quickly and crystal clear, exactly: "Modal terbesarku cuma berani nanya. Follow ya."
14.6–15.0: she holds the bag and the smile as the music resolves, end of clip.

VOICE-OVER — all spoken lines are post-recorded narration laid over the footage, in the same Bu Ayu voice: a warm mid-range Indonesian woman's voice around forty, gentle and motherly, light Javanese-Indonesian accent, TikTok voice-note energy: fast, bright, punchy, confident, kind and welcoming — never an announcer, never robotic. Crisp articulation on every word even at speed; extra emphasis punching the words "dibuang tiap hari", "Gratis" and "belasan jar". She does NOT speak on camera: her mouth never mouths the narration words, there is no lip-sync — the voice floats over the action like a TikTok voice-note.

MUSIC — an emotional melodic backing track runs the full 15 seconds and tells the same arc as the visuals: 0.0–3.0 a bright cafe-morning groove with light percussion; 3.0–3.4 a quick riser; 3.4–6.6 a cheerful lift as the bag is raised to the light; 7.0–10.8 building warm and confident; 11.0–14.6 the brightest, most encouraging peak with a light rhythmic pulse; 14.6–15.0 a soft resolve ending exactly with her held smile. The music is instrumental or soft wordless vocal hums only — no sung lyrics that fight the voice — and it is always mixed clearly UNDER the voice: the spoken words remain the loudest, clearest element at every moment, music ducking slightly under every line.

SOUND DETAIL — under the music: cafe ambience, the espresso machine hiss, the crinkle of the plastic bag, a soft knock of the portafilter. The voice sits close, dry, slightly compressed like a phone mic. No reverb, no whoosh, no cinematic sound design.

ON-SCREEN TEXT — the baked headline from Image 1 ('BAHAN BAKUNYA', 'GRATIS DARI CAFE', 'tinggal minta aja') stays exactly as rendered until second 3.0, then fades out over 0.4 seconds and never returns; do not redraw or morph it. After the fade there must be NO text on screen at all for the rest of the clip: no subtitles, no captions, no word overlays, no stickers, no emoji — the human editor will add captions in post-production, so the video must be delivered completely clean of text.

LOOK — ordinary warm indoor light from a window, mild sensor noise, slightly warm white balance; subject sharp, background softly defocused; no colour grade, no cinematic contrast. It must look like real phone footage an Indonesian mother recorded at home — raw, alive, believable.

DO NOT — no cuts, no scene change, no wardrobe or hair change, no people other than Bu Ayu and the single other person shown in Image 1, no pets, no beauty filter or skin smoothing, no lens flare, no extra props, no logos, no watermark, no English on screen or in speech, no subtitles or captions of any kind after the headline fades, no sung lyrics over the voice, music never drowns the speech, and both faces stay identical to Image 1 in every frame. The subject's identity must stay locked to Image 1 at all times. Every gesture must read clearly on a small phone screen. The pacing must feel alive from the first frame to the last. Movement between beats must be quick but never jittery. All timing boundaries are hard cues and must land on the stated seconds. The overall feel is warm, honest and completely natural. Nothing in the frame may drift or morph between the timed beats. Hand movements must stay inside the frame at all times. The final frame must hold perfectly still for the last moment. Prop positions must match Image 1 whenever the hands return to rest. The camera never reframes away from the described movement. Every expression must land exactly on the beats described, never early and never late. Skin texture must stay photographic and untouched in every single frame of the clip. The lighting must never flicker, shift colour or change direction at any point. The voice must stay perfectly synchronised with the described beats for every line. Background objects must keep their exact positions from the first frame to the last. Transitions between gestures must flow naturally like one unbroken real recording. The energy must follow the music arc described, rising and settling together.
```

---

## REEL 4 — PROSES BIKIN (`FR04-proses.png`)

```text
REFERENCE LOCK — Use Image 1 as the appearance reference for every frame. The video's very first frame must match Image 1: same hand positions, same framing, same props, same on-screen text, and all motion begins from that exact pose. This is a first-person point-of-view clip: her FACE IS NEVER VISIBLE — only the same pair of Indonesian woman's hands and forearms shown in Image 1, warm medium-tan skin, short clean nails, the brown batik sleeve at the wrist. The hands must keep identical skin tone, nails and sleeve fold for the entire clip. The glass bowl from Image 1 with dark coffee grounds, pale sugar and oil, a wooden spatula, measuring spoons, a small bottle of oil and an empty jar waiting on the wooden table. The hands only ever touch these.

BACKGROUND LOCK — the location from Image 1 stays static for all 15 seconds: every jar, tray, cloth and shadow stays exactly where it is in Image 1 unless her hands move it. Nothing else in the background moves, nobody passes, no light changes.

SHOT — one single continuous take, vertical 9:16, phone propped just above the table edge looking down at the work surface exactly as Image 1. The framing stays locked with only the faintest handheld breathing, one barely perceptible push-in to roughly 104% across the 15 seconds. No cuts, no transitions.

PACE — TikTok-style energy: the actions flow quickly from beat to beat with no dead air, every movement purposeful and alive, while the narration drives the rhythm fast and crisp, around 160 words per minute, perfectly clear and articulate.

TIMED ACTION AND NARRATION (voice-over — she never talks to camera):
0.0–0.3: the hands are mid-fold exactly as in Image 1, the spatula in the bowl.
0.3–3.0: the hands fold the dark grounds through the pale sugar in slow steady strokes until the colour evens out; the narration says quickly and clearly, exactly: "Bikin lulur kopi cuma sepuluh menit."
3.0–3.4: one hand lifts the small bottle of oil.
3.4–6.6: the hands drizzle a thin stream of oil into the bowl and fold it in until the mixture turns glossy; the narration says quickly and bright, exactly: "Ampas kering, gula, sama minyak. Itu aja."
6.6–7.0: the spatula scrapes once around the rim of the bowl.
7.0–10.8: the hands scoop the finished scrub with the spatula and press it neatly into the waiting glass jar; the narration, confident and driving, says exactly: "Takarannya yang bikin nggak cepat tengik."
10.8–11.0: the hands wipe the jar rim clean with a fingertip.
11.0–14.6: the hands screw the lid on and turn the jar so the kraft label faces the lens; the narration says quickly and crystal clear, exactly: "Resep lengkapnya udah kutulis. Follow dulu ya."
14.6–15.0: the hands rest beside the finished jar as the music resolves, end of clip.

VOICE-OVER — all spoken lines are post-recorded narration laid over the footage, in the same Bu Ayu voice: a warm mid-range Indonesian woman's voice around forty, gentle and motherly, light Javanese-Indonesian accent, TikTok voice-note energy: fast, bright, punchy, confident, kind and welcoming — never an announcer, never robotic. Crisp articulation on every word even at speed; extra emphasis punching the words "sepuluh menit", "Itu aja" and "cepat tengik". She does NOT speak on camera: her mouth never mouths the narration words, there is no lip-sync — the voice floats over the action like a TikTok voice-note.

MUSIC — an emotional melodic backing track runs the full 15 seconds and tells the same arc as the visuals: 0.0–3.0 a soft satisfying kitchen groove with light woody percussion; 3.0–3.4 a quick riser as the oil is lifted; 3.4–6.6 a smooth building rhythm following the folding; 7.0–10.8 warmer and fuller as the jar is filled; 11.0–14.6 the most satisfying peak as the lid closes; 14.6–15.0 a clean soft resolve landing exactly as the hands rest. The music is instrumental or soft wordless vocal hums only — no sung lyrics that fight the voice — and it is always mixed clearly UNDER the voice: the spoken words remain the loudest, clearest element at every moment, music ducking under every line.

SOUND DETAIL — under the music: the soft scrape of the spatula on glass, the grainy shuffle of coffee grounds, the squeak of the lid closing. The voice sits close, dry, slightly compressed like a phone mic. No reverb, no whoosh, no cinematic sound design.

ON-SCREEN TEXT — the baked headline from Image 1 ('BIKIN LULUR KOPI', 'CUMA 10 MENIT', '3 bahan doang') stays exactly as rendered until second 3.0, then fades out over 0.4 seconds and never returns; do not redraw or morph it. After the fade there must be NO text on screen at all for the rest of the clip: no subtitles, no captions, no word overlays, no stickers, no emoji — the human editor will add captions in post-production, so the video must be delivered completely clean of text.

LOOK — ordinary warm indoor light from a window, mild sensor noise, slightly warm white balance; subject sharp, background softly defocused; no colour grade, no cinematic contrast. It must look like real phone footage an Indonesian mother recorded at home — raw, alive, believable.

DO NOT — no cuts, no scene change, no face or head ever entering the frame, no other people or pets, no beauty filter, no lens flare, no extra props, no logos, no watermark, no English on screen or in speech, no subtitles or captions of any kind after the headline fades, no sung lyrics over the voice, music never drowns the speech, and the hands stay identical to Image 1 in every frame. The subject's identity must stay locked to Image 1 at all times. Every gesture must read clearly on a small phone screen. The pacing must feel alive from the first frame to the last. Movement between beats must be quick but never jittery. All timing boundaries are hard cues and must land on the stated seconds. The overall feel is warm, honest and completely natural. Nothing in the frame may drift or morph between the timed beats. Hand movements must stay inside the frame at all times. The final frame must hold perfectly still for the last moment. Prop positions must match Image 1 whenever the hands return to rest. The camera never reframes away from the described movement. Every expression must land exactly on the beats described, never early and never late. Skin texture must stay photographic and untouched in every single frame of the clip. The lighting must never flicker, shift colour or change direction at any point. The voice must stay perfectly synchronised with the described beats for every line. Background objects must keep their exact positions from the first frame to the last. Transitions between gestures must flow naturally like one unbroken real recording. The energy must follow the music arc described, rising and settling together. Nothing may enter the frame from outside at any moment of the fifteen seconds. The framing must never drift wider than described for the entire duration. Every prop interaction must look physically real, with correct weight and contact.
```

---

## REEL 5 — MOTONG SABUN (`FR05-sabun.png`)

```text
REFERENCE LOCK — Use Image 1 as the appearance reference for every single frame. The video's very first frame must match Image 1: same hand positions, same framing, same props, same on-screen text, and all motion begins from that exact pose. This is a first-person point-of-view clip: her FACE IS NEVER VISIBLE — only the same pair of Indonesian woman's hands and forearms shown in Image 1, warm medium-tan skin, short clean nails, the brown batik sleeve at the wrist. The hands must keep identical skin tone, nails and sleeve fold for the entire clip. The long block of set coffee soap from Image 1 on a wooden board, a straight cutter in her hands, and a wooden tray of already-cut bars beside. The hands only ever touch these.

BACKGROUND LOCK — the location from Image 1 stays static for all 15 seconds: every jar, tray, cloth and shadow stays exactly where it is in Image 1 unless her hands move it. Nothing else in the background moves, nobody passes, no light changes.

SHOT — one single continuous take, vertical 9:16, phone propped just above the table edge looking down at the work surface exactly as Image 1. The framing stays locked with only the faintest handheld breathing, one barely perceptible push-in to roughly 104% across the 15 seconds. No cuts, no transitions.

PACE — TikTok-style energy: the actions flow quickly from beat to beat with no dead air, every movement purposeful and alive, while the narration drives the rhythm fast and crisp, around 160 words per minute, perfectly clear and articulate.

TIMED ACTION AND NARRATION (voice-over, CALM — she never talks to camera):
0.0–0.3: the hands are mid-cut exactly as in Image 1, the cutter resting on the soap block.
0.3–2.6: the hands press the cutter slowly through the block and a clean bar falls away, revealing the dark coffee speckles inside; the narration says gently, exactly: "Dengerin deh…"
2.6–8.0: NO narration. The hands cut bar after bar in a slow steady rhythm and line them up on the wooden tray — the sounds are the star: the soft press and release of the cutter, the light knock of each bar landing, a calm breath. The camera holds, push-in barely perceptible.
8.0–11.2: still cutting, the narration says softly but clearly, exactly: "Sabun kopi ini kudiamin sehari dulu sebelum dipotong."
11.2–14.6: the hands turn one finished bar face-up toward the lens; the narration says exactly: "Bagian ini yang bikin aku betah tiap sore. Cobain deh."
14.6–15.0: the hands hold the bar still as the music resolves, end of clip.

VOICE-OVER — all spoken lines are post-recorded narration laid over the footage, in the same Bu Ayu voice: a warm mid-range Indonesian woman's voice around forty, gentle and motherly, light Javanese-Indonesian accent, TikTok voice-note energy: fast, bright, punchy, confident, kind and welcoming — never an announcer, never robotic. Crisp articulation on every word even at speed; extra emphasis punching the words "Dengerin deh", "sehari dulu" and "betah". She does NOT speak on camera: her mouth never mouths the narration words, there is no lip-sync — the voice floats over the action like a TikTok voice-note.

MUSIC — an emotional melodic backing track runs the full 15 seconds and tells the same arc as the visuals: 0.0–2.6 an ultra-soft lo-fi pad, barely there; 2.6–8.0 the music stays almost silent so the cutting sounds carry the clip, just a warm low pad breathing underneath; 8.0–11.2 a gentle piano figure enters, cosy and safe; 11.2–14.6 a tender warm swell, still quiet; 14.6–15.0 a feather-soft resolve. This reel is CALM, not hype — the emotion is comfort. The music is instrumental or soft wordless vocal hums only — no sung lyrics that fight the voice — and it is always mixed clearly UNDER the voice: the spoken words remain the loudest, clearest element at every moment, music ducking under every line.

SOUND DETAIL — under the music: prominent close-mic sounds: the firm press of the cutter through soap, each bar knocking softly onto the tray, a slow breath. The voice sits close, dry, slightly compressed like a phone mic. No reverb, no whoosh, no cinematic sound design.

ON-SCREEN TEXT — the baked headline from Image 1 ('MOTONG SABUN KOPI', 'PALING BIKIN PUAS', 'volume nyalain ya') stays exactly as rendered until second 3.0, then fades out over 0.4 seconds and never returns; do not redraw or morph it. After the fade there must be NO text on screen at all for the rest of the clip: no subtitles, no captions, no word overlays, no stickers, no emoji .

LOOK — ordinary warm indoor light from a window, mild sensor noise, slightly warm white balance; subject sharp, background softly defocused; no color grade, no cinematic contrast. It must look like real phone footage an Indonesian mother recorded at home — raw, alive, believable.

DO NOT — no cuts, no scene change, no face or head ever entering the frame, no other people or pets, no beauty filter, no lens flare, no extra props, no logos, no watermark, no English on screen or in speech, no subtitles or captions of any kind after the headline fades, no sung lyrics over the voice, music never drowns the speech, and the hands stay identical to Image 1 in every frame. The subject's identity must stay locked to Image 1 at all times. Every gesture must read clearly on a small phone screen. The pacing must feel alive from the first frame to the last. Movement between beats must be quick but never jittery. All timing boundaries are hard cues and must land on the stated seconds. The overall feel is warm, honest and completely natural. Nothing in the frame may drift or morph between the timed beats. Hand movements must stay inside the frame at all times. The final frame must hold perfectly still for the last moment. Prop positions must match Image 1 whenever the hands return to rest. The camera never reframes away from the described movement. Every expression must land exactly on the beats described, never early and never late. Skin texture must stay photographic and untouched in every single frame of the clip. The lighting must never flicker, shift colour or change direction at any point. The voice must stay perfectly synchronised with the described beats for every line. Background objects must keep their exact positions from the first frame to the last. Transitions between gestures must flow naturally like one unbroken real recording. The energy must follow the music arc described, rising and settling together. Nothing may enter the frame from outside at any moment of the fifteen seconds. The framing must never drift wider than described for the entire duration. Every prop interaction must look physically real, with correct weight and contact. The final resolve of the music must land exactly as the clip reaches its last frame. All motion must remain smooth at normal speed, never slow motion and never sped up. The clip must feel like one honest take, never like an edited or generated video. The colour of every product on screen must stay consistent from start to finish.
```

---

## REEL 6 — HITUNGAN CUAN (`FR06-cuan.png`)

```text
REFERENCE LOCK — Use Image 1 as the absolute appearance reference for every single frame. The video's very first frame must match Image 1 exactly: same pose, same framing, same props, same on-screen text, and all motion begins from that exact pose. The subject is the same Indonesian woman around forty shown in Image 1: warm medium-tan skin with real texture — visible pores, faint natural shine, no retouching. Round full face with plump cheeks and a rounded jaw. Dark brown almond eyes with gentle smile lines. Thick natural eyebrows. Small rounded nose, no lipstick. Dark brown-black hair with a centre part pulled back into a simple low bun that keeps the same shape for the entire clip, a few loose strands at the temples. No glasses, no headscarf, no jewellery. Softly full motherly build, an ordinary Indonesian housewife, not a slim model. She wears the exact same brown batik-patterned blouse shown in Image 1. She holds up the finished jar of coffee scrub with the small kraft price tag from Image 1; a row of more finished jars sits on the table behind her. She only ever touches the jar.

BACKGROUND LOCK — the location from Image 1 stays completely static for all 15 seconds: every jar, tray, cloth and shadow stays exactly where it is in Image 1 unless her hands move it. Nothing else in the background moves, nobody passes, no light changes.

SHOT — one single continuous take, vertical 9:16, front-camera phone at eye level, chest-up framing exactly as Image 1. Subtle organic handheld micro-shake, never gimbal-smooth. One slow push-in to roughly 107% across the 15 seconds. No cuts, no transitions.

PACE — TikTok-style energy: she talks FAST and CRISP, around 155 to 165 words per minute, punchy and animated, no dead air, gestures snap quickly from beat to beat, yet every word stays perfectly clear and articulate. Lip-sync must match every syllable exactly.

TIMED ACTION, EMOTION AND DIALOGUE:
0.0–0.3: she is mid-pose exactly as in Image 1, a quick breath, eyes locked to the lens, already energised.
0.3–3.0: she bounces the jar once toward the lens, cheeky grin, saying fast and clearly, exactly: "Satu jar lulur gini modalnya delapan ribu."
3.0–3.4: she flicks the kraft price tag with her finger.
3.4–6.6: holding the tag toward the lens, eyebrows popping, and says quickly and bright, exactly: "Lakunya? Empat puluh lima ribu."
6.6–7.0: she leans roughly ten centimetres closer to the lens.
7.0–10.8: sweeping her free hand toward the row of jars behind her with a proud laugh, confident and driving, she says exactly: "Sehari santai bisa bikin sepuluh jar dari dapur." — one natural blink near second 9, eyes never leaving the lens.
10.8–11.0: micro beat, her smile widens in anticipation.
11.0–14.6: she points her index finger down toward the bottom edge of the frame, and says quickly and crystal clear, exactly: "Mau bisa? Pelajari di Ampas Berkah. Klik link di bawah!" — warm open smile, energy at its highest.
14.6–15.0: she holds the final pose and the smile as the music resolves, one final blink, end of clip.

VOICE — a warm mid-range Indonesian woman's voice around forty, gentle and motherly, light Javanese-Indonesian accent, TikTok voice-note energy: fast, bright, punchy, confident, but kind and welcoming — never an announcer, never robotic. Crisp articulation on every word even at speed; extra emphasis punching the words "delapan ribu", "empat puluh lima ribu" and the brand name "Ampas Berkah" pronounced clearly as am-pas ber-kah. Tiny breath before the first and third lines, an audible smile in the voice on the last line.

MUSIC — an emotional melodic backing track runs the full 15 seconds and tells the same arc as the visuals: 0.0–3.0 a cheeky upbeat groove with playful plucks; 3.0–3.4 a quick riser; 3.4–6.6 a bright payoff hit landing right on the price reveal; 7.0–10.8 building warm and fun; 11.0–14.6 the brightest peak with a light rhythmic pulse pushing the call to action; 14.6–15.0 a snappy resolve ending exactly with her held smile. The music is instrumental or soft wordless vocal hums only — no sung lyrics that fight the voice — and it is always mixed clearly UNDER the voice: the spoken words remain the loudest, clearest element at every moment, music ducking slightly under every line.

SOUND DETAIL — under the music: a tiny paper flick when the tag is flipped at second 4, the soft clink of glass jars. The voice sits close, dry, slightly compressed like a phone mic. No reverb, no whoosh, no cinematic sound design.

ON-SCREEN TEXT — the baked headline from Image 1 ('MODAL 8 RIBU', 'LAKU 45 RIBU', 'ini hitungannya') stays exactly as rendered until second 3.0, then fades out over 0.4 seconds and never returns; do not redraw or morph it. After the fade there must be NO text on screen at all for the rest of the clip: no subtitles, no captions, no word overlays, no stickers, no emoji — the human editor will add captions in post-production, so the video must be delivered completely clean of text.

LOOK — ordinary warm indoor light from a window, mild sensor noise, slightly warm white balance; subject sharp, background softly defocused; no color grade, no cinematic contrast. It must look like real phone footage an Indonesian mother recorded at home — raw, alive, believable.

DO NOT — no cuts, no scene change, no wardrobe or hair change, no other people or pets, no beauty filter or skin smoothing, no lens flare, no extra props, no logos, no watermark, no English on screen or in speech, no subtitles or captions of any kind after the headline fades, no sung lyrics over the voice, music never drowns the speech, and her face stays identical to Image 1 in every frame. The subject's identity must stay locked to Image 1 at all times. Every gesture must read clearly on a small phone screen. The pacing must feel alive from the first frame to the last. Movement between beats must be quick but never jittery. All timing boundaries are hard cues and must land on the stated seconds. The overall feel is warm, honest and completely natural. Nothing in the frame may drift or morph between the timed beats. Hand movements must stay inside the frame at all times. The final frame must hold perfectly still for the last moment. Prop positions must match Image 1 whenever the hands return to rest. The camera never reframes away from the described movement. Every expression must land exactly on the beats described, never early and never late. Skin texture must stay photographic and untouched in every single frame of the clip. The lighting must never flicker, shift colour or change direction at any point. The voice must stay perfectly synchronised with the described beats for every line. Background objects must keep their exact positions from the first frame to the last. Transitions between gestures must flow naturally like one unbroken real recording. The energy must follow the music arc described, rising and settling together. Nothing may enter the frame from outside at any moment of the fifteen seconds.
```

---

## REEL 7 — PEMBELINYA (`FR07-pembeli.png`)

```text
REFERENCE LOCK — Use Image 1 as the absolute appearance reference for every single frame. The video's very first frame must match Image 1 exactly: same pose, same framing, same props, same on-screen text, and all motion begins from that exact pose. The subject is the same Indonesian woman around forty shown in Image 1: warm medium-tan skin with real texture — visible pores, faint natural shine, no retouching. Round full face with plump cheeks and a rounded jaw. Dark brown almond eyes with gentle smile lines. Thick natural eyebrows. Small rounded nose, no lipstick. Dark brown-black hair with a centre part pulled back into a simple low bun, same shape all clip, a few loose strands at the temples. No glasses, no headscarf, no jewellery. Softly full motherly build, an ordinary Indonesian housewife. She wears the exact same brown batik-patterned blouse shown in Image 1. At her front door from Image 1: she hands a small kraft bag of coffee scrub to a young woman customer, a motorbike parked at the gate. Only these two people appear; they only touch the bag.

BACKGROUND LOCK — the location from Image 1 stays completely static for all 15 seconds: every jar, tray, cloth and shadow stays exactly where it is in Image 1 unless her hands move it. Nothing else in the background moves, nobody passes, no light changes.

SHOT — one single continuous take, vertical 9:16, handheld phone held by a friend at chest height. Subtle organic handheld sway; the camera moves only as described in the timed beats, always smooth and slow. No cuts, no transitions.

PACE — TikTok-style energy: the actions flow quickly from beat to beat with no dead air, every movement purposeful and alive, while the narration drives the rhythm fast and crisp, around 155 to 165 words per minute, perfectly clear and articulate.

TIMED ACTION AND NARRATION (voice-over — she never talks to camera):
0.0–0.3: the handover is mid-motion exactly as in Image 1, both smiling.
0.3–3.0: the customer takes the kraft bag with both hands and peeks inside happily; the narration says quickly and clearly, exactly: "Pembeliku ya ibu-ibu komplek sini."
3.0–3.4: the customer lifts the jar half out of the bag to look at the label.
3.4–6.6: the customer nods approvingly and slips the jar back in, saying something cheerful; the narration says fast and bright, exactly: "Dia langganan, tiap bulan ambil lagi."
6.6–7.0: Bu Ayu glances at the camera with a quiet proud smile.
7.0–10.8: the two exchange a short warm handshake, the customer stepping back toward the gate; the narration, confident and driving, says exactly: "Nggak perlu toko. Cukup dari rumah aja."
10.8–11.0: the customer waves and turns away toward the motorbike.
11.0–14.6: Bu Ayu turns to the camera with an easy smile and a small shrug of both hands; the narration says fast and crystal clear, exactly: "Mulai dari tetangga dulu. Follow buat caranya."
14.6–15.0: she holds the smile at the door as the music resolves, end of clip.

VOICE-OVER — all spoken lines are post-recorded narration laid over the footage, in the same Bu Ayu voice: a warm mid-range Indonesian woman's voice around forty, gentle and motherly, light Javanese-Indonesian accent, TikTok voice-note energy: fast, bright, punchy, confident, kind and welcoming — never an announcer, never robotic. Crisp articulation on every word even at speed; extra emphasis punching the words "ibu-ibu komplek", "langganan" and "dari rumah aja". She does NOT speak on camera: her mouth never mouths the narration words, there is no lip-sync — the voice floats over the action like a TikTok voice-note.

MUSIC — an emotional melodic backing track runs the full 15 seconds and tells the same arc as the visuals: 0.0–3.0 a warm neighbourly groove with light claps; 3.0–3.4 a quick riser as the bag is opened; 3.4–6.6 a happy satisfied swell; 7.0–10.8 building warm and grounded; 11.0–14.6 the warmest, proudest peak with a light rhythmic pulse; 14.6–15.0 a soft resolve ending exactly on her smile. The music is instrumental or soft wordless vocal hums only — no sung lyrics that fight the voice — and it is always mixed clearly UNDER the voice: the spoken words remain the loudest, clearest element at every moment, music ducking slightly under every line.

SOUND DETAIL — under the music: the crinkle of the kraft bag, a soft clink of the jar, distant neighbourhood ambience and a motorbike idling. The voice sits close, dry, slightly compressed like a phone mic. No reverb, no whoosh, no cinematic sound design.

ON-SCREEN TEXT — the baked headline from Image 1 ('YANG BELI ITU', 'IBU-IBU KOMPLEK', 'repeat terus tiap bulan') stays exactly as rendered until second 3.0, then fades out over 0.4 seconds and never returns; do not redraw or morph it. After the fade there must be NO text on screen at all for the rest of the clip: no subtitles, no captions, no word overlays, no stickers, no emoji — the human editor will add captions in post-production, so the video must be delivered completely clean of text.

LOOK — ordinary warm indoor light from a window, mild sensor noise, slightly warm white balance; subject sharp, background softly defocused; no colour grade, no cinematic contrast. It must look like real phone footage an Indonesian mother recorded at home — raw, alive, believable.

DO NOT — no cuts, no scene change, no wardrobe or hair change, no people other than Bu Ayu and the single other person shown in Image 1, no pets, no beauty filter or skin smoothing, no lens flare, no extra props, no logos, no watermark, no English on screen or in speech, no subtitles or captions of any kind after the headline fades, no sung lyrics over the voice, music never drowns the speech, and both faces stay identical to Image 1 in every frame. The subject's identity must stay locked to Image 1 at all times. Every gesture must read clearly on a small phone screen. The pacing must feel alive from the first frame to the last. Movement between beats must be quick but never jittery. All timing boundaries are hard cues and must land on the stated seconds. The overall feel is warm, honest and completely natural. Nothing in the frame may drift or morph between the timed beats. Hand movements must stay inside the frame at all times. The final frame must hold perfectly still for the last moment. Prop positions must match Image 1 whenever the hands return to rest. The camera never reframes away from the described movement. Every expression must land exactly on the beats described, never early and never late. Skin texture must stay photographic and untouched in every single frame of the clip. The lighting must never flicker, shift colour or change direction at any point. The voice must stay perfectly synchronised with the described beats for every line. Background objects must keep their exact positions from the first frame to the last. Transitions between gestures must flow naturally like one unbroken real recording. The energy must follow the music arc described, rising and settling together.
```

---

## REEL 8 — PACKING POV (`FR08-packing.png`)

```text
REFERENCE LOCK — Use Image 1 as the absolute appearance reference for every single frame. The video's very first frame must match Image 1: same hand positions, same framing, same props, same on-screen text, and all motion begins from that exact pose. This is a first-person point-of-view clip: her FACE IS NEVER VISIBLE — only the same pair of Indonesian woman's hands and forearms shown in Image 1, warm medium-tan skin, short clean nails, the brown batik sleeve at the wrist. The hands must keep identical skin tone, nails and sleeve fold for the entire clip. The wooden table from Image 1: a kraft gift box lined with shredded paper, a jar of coffee scrub, a wrapped soap bar, a roll of twine, a sheet of round labels and two closed boxes. The hands only ever touch these.

BACKGROUND LOCK — the location from Image 1 stays static for all 15 seconds: every jar, tray, cloth and shadow stays exactly where it is in Image 1 unless her hands move it. Nothing else in the background moves, nobody passes, no light changes.

SHOT — one single continuous take, vertical 9:16, phone propped just above the table edge looking down at the work surface exactly as Image 1. The framing stays locked with only the faintest handheld breathing, one barely perceptible push-in to roughly 104% across the 15 seconds. No cuts, no transitions.

PACE — TikTok-style energy: the actions flow quickly from beat to beat with no dead air, every movement purposeful and alive, while the narration drives the rhythm fast and crisp, around 155 to 165 words per minute, perfectly clear and articulate.

TIMED ACTION AND NARRATION (voice-over — she never talks to camera):
0.0–0.3: the hands are mid-placement exactly as in Image 1, the jar hovering over the open box.
0.3–3.0: the hands nestle the jar into the shredded paper, then tuck the wrapped soap bar in beside it; the narration says quickly and clearly, exactly: "Packing orderan dulu ya."
3.0–3.4: the fingers press a round label onto the box lid and smooth it flat.
3.4–6.6: the hands fold the box closed and wind twine twice around it, pulling the knot snug; the narration says quickly and bright, exactly: "Dulu meja ini cuma buat makan malam."
6.6–7.0: the hands snip the twine ends neatly with small scissors.
7.0–10.8: the hands tie a simple bow, turn the finished box square to the lens and pat it twice; the narration, confident and driving, says exactly: "Sekarang tiap minggu ada yang nungguin kotak ini."
10.8–11.0: the hands lift the box and set it on top of the two closed ones.
11.0–14.6: the hands rest on the finished stack, one thumb tapping it lightly; the narration says quickly and crystal clear, exactly: "Dari dapur juga bisa. Follow aku ya."
14.6–15.0: the hands stay resting on the stack as the music resolves, end of clip.

VOICE-OVER — all spoken lines are post-recorded narration laid over the footage, in the same Bu Ayu voice: a warm mid-range Indonesian woman's voice around forty, gentle and motherly, light Javanese-Indonesian accent, TikTok voice-note energy: fast, bright, punchy, confident, kind and welcoming — never an announcer, never robotic. Crisp articulation on every word even at speed; extra emphasis punching the words "makan malam" and "nungguin kotak ini". She does NOT speak on camera: her mouth never mouths the narration words, there is no lip-sync — the voice floats over the action like a TikTok voice-note.

MUSIC — an emotional melodic backing track runs the full 15 seconds and tells the same arc as the visuals: 0.0–3.0 a cosy mid-tempo groove with soft claps; 3.0–3.4 a quick riser under the label press; 3.4–6.6 opening warm and full as the twine winds; 7.0–10.8 building sincere and bright; 11.0–14.6 the warmest emotional peak as the box tops the stack; 14.6–15.0 a soft resolve landing exactly as the hands rest. The music is instrumental or soft wordless vocal hums only — no sung lyrics that fight the voice — and it is always mixed clearly UNDER the voice: the spoken words remain the loudest, clearest element at every moment, music ducking slightly under every line.

SOUND DETAIL — under the music: the dry rustle of shredded paper, the squeak of twine pulling tight, a small snip of scissors, a soft cardboard pat. The voice sits close, dry, slightly compressed like a phone mic. No reverb, no whoosh, no cinematic sound design.

ON-SCREEN TEXT — the baked headline from Image 1 ('PACKING ORDERAN', 'SAMBIL NUNGGU ANAK', 'dari meja dapur') stays exactly as rendered until second 3.0, then fades out over 0.4 seconds and never returns; do not redraw or morph it. After the fade there must be NO text on screen at all for the rest of the clip: no subtitles, no captions, no word overlays, no stickers, no emoji — the human editor will add captions in post-production, so the video must be delivered completely clean of text.

LOOK — ordinary warm indoor light from a window, mild sensor noise, slightly warm white balance; subject sharp, background softly defocused; no colour grade, no cinematic contrast. It must look like real phone footage an Indonesian mother recorded at home — raw, alive, believable.

DO NOT — no cuts, no scene change, no face or head ever entering the frame, no other people or pets, no beauty filter, no lens flare, no extra props, no logos, no watermark, no English on screen or in speech, no subtitles or captions of any kind after the headline fades, no sung lyrics over the voice, music never drowns the speech, and the hands stay identical to Image 1 in every frame. The subject's identity must stay locked to Image 1 at all times. Every gesture must read clearly on a small phone screen. The pacing must feel alive from the first frame to the last. Movement between beats must be quick but never jittery. All timing boundaries are hard cues and must land on the stated seconds. The overall feel is warm, honest and completely natural. Nothing in the frame may drift or morph between the timed beats. Hand movements must stay inside the frame at all times. The final frame must hold perfectly still for the last moment. Prop positions must match Image 1 whenever the hands return to rest. The camera never reframes away from the described movement. Every expression must land exactly on the beats described, never early and never late. Skin texture must stay photographic and untouched in every single frame of the clip. The lighting must never flicker, shift colour or change direction at any point. The voice must stay perfectly synchronised with the described beats for every line. Background objects must keep their exact positions from the first frame to the last. Transitions between gestures must flow naturally like one unbroken real recording. The energy must follow the music arc described, rising and settling together. Nothing may enter the frame from outside at any moment of the fifteen seconds. The framing must never drift wider than described for the entire duration. Every prop interaction must look physically real, with correct weight and contact.
```

---

## REEL 9 — 30 HARI (`FR09-day30.png`)

```text
REFERENCE LOCK — Use Image 1 as the absolute appearance reference for every single frame. The video's very first frame must match Image 1 exactly: same pose, same framing, same props, same on-screen text, and all motion begins from that exact pose. The subject is the same Indonesian woman around forty shown in Image 1: warm medium-tan skin with real texture — visible pores, faint natural shine, no retouching. Round full face with plump cheeks and a rounded jaw. Dark brown almond eyes with gentle smile lines. Thick natural eyebrows. Small rounded nose, no lipstick. Dark brown-black hair with a centre part pulled back into a simple low bun that keeps the same shape for the entire clip, a few loose strands at the temples. No glasses, no headscarf, no jewellery. Softly full motherly build, an ordinary Indonesian housewife, not a slim model. She wears the exact same brown batik-patterned blouse shown in Image 1. She holds the wooden tray of six finished products up toward the lens with both hands, exactly as in Image 1. She only ever touches the tray.

BACKGROUND LOCK — the location from Image 1 stays static for all 15 seconds: every jar, tray, cloth and shadow stays exactly where it is in Image 1 unless her hands move it. Nothing else in the background moves, nobody passes, no light changes.

SHOT — one single continuous take, vertical 9:16, front-camera phone at eye level, chest-up framing exactly as Image 1. Subtle organic handheld micro-shake, never gimbal-smooth. One slow push-in to roughly 107% across the 15 seconds. No cuts, no transitions.

PACE — TikTok-style energy: she talks FAST and CRISP, around 155 to 165 words per minute, punchy and animated, no dead air, gestures snap quickly from beat to beat, yet every word stays perfectly clear and articulate. Lip-sync must match every syllable exactly.

TIMED ACTION, EMOTION AND DIALOGUE:
0.0–0.3: she is mid-pose exactly as in Image 1, a quick breath, eyes locked to the lens, already energised.
0.3–3.0: she raises the tray so the jars and soap bars catch the light, tired-happy smile, saying quickly and clearly, exactly: "Sebulan lalu aku nggak ngerti apa-apa."
3.0–3.4: she tilts the tray slightly so every product is visible.
3.4–6.6: nodding at the tray then back to the lens, and says quickly and bright, exactly: "Ini batch keenam yang habis bulan ini."
6.6–7.0: she leans roughly ten centimetres closer to the lens.
7.0–10.8: holding the tray a touch closer to the lens, steady eyes, confident and driving, she says exactly: "Ngerjainnya pas anak-anak tidur siang aja." — one natural blink near second 9, eyes never leaving the lens.
10.8–11.0: micro beat, her smile widens in anticipation.
11.0–14.6: she looks straight into the lens, quiet fire in her eyes, and says quickly and crystal clear, exactly: "Besok giliran dapurmu. Berani mulai?" — warm open smile, energy at its highest.
14.6–15.0: she holds the final pose and the smile as the music resolves, one final blink, end of clip.

VOICE — a warm mid-range Indonesian woman's voice around forty, gentle and motherly, light Javanese-Indonesian accent, TikTok voice-note energy: fast, bright, punchy, confident, but kind and welcoming — never an announcer, never robotic. Crisp articulation on every word even at speed; extra emphasis punching the words "nggak ngerti apa-apa", "keenam" and "Berani mulai". Tiny breath before the first and third lines, an audible smile in the voice on the last line.

MUSIC — an emotional melodic backing track runs the full 15 seconds and tells the same arc as the visuals: 0.0–3.0 a sparse emotional piano, humble; 3.0–3.4 a gentle riser; 3.4–6.6 a swelling proud lift as the tray is shown; 7.0–10.8 building steady like a heartbeat, determined; 11.0–14.6 the most emotional peak of the whole set, goosebump warm; 14.6–15.0 a resonant soft resolve ending exactly with her held gaze. The music is instrumental or soft wordless vocal hums only — no sung lyrics that fight the voice — and it is always mixed clearly UNDER the voice: the spoken words remain the loudest, clearest element at every moment, music ducking slightly under every line.

SOUND DETAIL — under the music: the soft knock of jars shifting on the wooden tray. The voice sits close, dry, slightly compressed like a phone mic. No reverb, no whoosh, no cinematic sound design.

ON-SCREEN TEXT — the baked headline from Image 1 ('AKU BUKTIIN', '30 HARI JUALAN LULUR', 'batch ke-6 habis juga') stays exactly as rendered until second 3.0, then fades out over 0.4 seconds and never returns; do not redraw or morph it. After the fade there must be NO text on screen at all for the rest of the clip: no subtitles, no captions, no word overlays, no stickers, no emoji — the human editor will add captions in post-production, so the video must be delivered completely clean of text.

LOOK — ordinary warm indoor light from a window, mild sensor noise, slightly warm white balance; subject sharp, background softly defocused; no colour grade, no cinematic contrast. It must look like real phone footage an Indonesian mother recorded at home — raw, alive, believable.

DO NOT — no cuts, no scene change, no wardrobe or hair change, no other people or pets, no beauty filter or skin smoothing, no lens flare, no extra props, no logos, no watermark, no English on screen or in speech, no subtitles or captions of any kind after the headline fades, no sung lyrics over the voice, music never drowns the speech, and her face stays identical to Image 1 in every frame. The subject's identity must stay locked to Image 1 at all times. Every gesture must read clearly on a small phone screen. The pacing must feel alive from the first frame to the last. Movement between beats must be quick but never jittery. All timing boundaries are hard cues and must land on the stated seconds. The overall feel is warm, honest and completely natural. Nothing in the frame may drift or morph between the timed beats. Hand movements must stay inside the frame at all times. The final frame must hold perfectly still for the last moment. Prop positions must match Image 1 whenever the hands return to rest. The camera never reframes away from the described movement. Every expression must land exactly on the beats described, never early and never late. Skin texture must stay photographic and untouched in every single frame of the clip. The lighting must never flicker, shift colour or change direction at any point. The voice must stay perfectly synchronised with the described beats for every line. Background objects must keep their exact positions from the first frame to the last. Transitions between gestures must flow naturally like one unbroken real recording. The energy must follow the music arc described, rising and settling together. Nothing may enter the frame from outside at any moment of the fifteen seconds. The framing must never drift wider than described for the entire duration. Every prop interaction must look physically real, with correct weight and contact.
```

---

## REEL 10 — JUALAN PANDUAN (`FR10-jualan.png`)

```text
REFERENCE LOCK — Use Image 1 as the absolute appearance reference for every single frame. The video's very first frame must match Image 1 exactly: same pose, same framing, same props, same on-screen text, and all motion begins from that exact pose. The subject is the same Indonesian woman around forty shown in Image 1: warm medium-tan skin with real texture — visible pores, faint natural shine, no retouching. Round full face with plump cheeks and a rounded jaw. Dark brown almond eyes with gentle smile lines. Thick natural eyebrows. Small rounded nose, no lipstick. Dark brown-black hair with a centre part pulled back into a simple low bun that keeps the same shape for the entire clip, a few loose strands at the temples. No glasses, no headscarf, no jewellery. Softly full motherly build, an ordinary Indonesian housewife, not a slim model. She wears the exact same brown batik-patterned blouse shown in Image 1. She holds the tablet toward the lens showing the illustrated coffee-scrub guide page, her other hand pointing at it; jars of scrub and soap bars sit on the table beside her, exactly as in Image 1. She only ever touches the tablet.

BACKGROUND LOCK — the location from Image 1 stays completely static for all 15 seconds: every jar, tray, cloth and shadow stays exactly where it is in Image 1 unless her hands move it. Nothing else in the background moves, nobody passes, no light changes.

SHOT — one single continuous take, vertical 9:16, front-camera phone at eye level, chest-up framing exactly as Image 1. Subtle organic handheld micro-shake, never gimbal-smooth. One slow push-in to roughly 107% across the 15 seconds. No cuts, no transitions.

PACE — TikTok-style energy: she talks FAST and CRISP, around 155 to 165 words per minute, punchy and animated, no dead air, gestures snap quickly from beat to beat, yet every word stays perfectly clear and articulate. Lip-sync must match every syllable exactly.

TIMED ACTION, EMOTION AND DIALOGUE:
0.0–0.3: she is mid-pose exactly as in Image 1, a quick breath, eyes locked to the lens, already energised.
0.3–3.0: she taps the tablet screen twice, warm assured smile, saying quickly and clearly, exactly: "Semua yang kupelajari setahun, kutulis lengkap di sini."
3.0–3.4: she angles the tablet so the step photos are clearly visible.
3.4–6.6: tracing one row of step photos with her finger, and says quickly and bright, exactly: "Bergambar semua, dari nol sampai berani jual."
6.6–7.0: she leans roughly ten centimetres closer to the lens.
7.0–10.8: hugging the tablet to her chest, eyebrows popping on the price, confident and driving, she says exactly: "Harganya cuma sembilan puluh sembilan ribu." — one natural blink near second 9, eyes never leaving the lens.
10.8–11.0: micro beat, her smile widens in anticipation.
11.0–14.6: she points her index finger down toward the bottom edge of the frame with two quick taps, and says quickly and crystal clear, exactly: "Pelajari di Ampas Berkah. Klik link di bawah, sekarang!" — warm open smile, energy at its highest.
14.6–15.0: she holds the final pose and the smile as the music resolves, one final blink, end of clip.

VOICE — a warm mid-range Indonesian woman's voice around forty, gentle and motherly, light Javanese-Indonesian accent, TikTok voice-note energy: fast, bright, punchy, confident, but kind and welcoming — never an announcer, never robotic. Crisp articulation on every word even at speed; extra emphasis punching the words "setahun", "sembilan puluh sembilan ribu" and the brand name "Ampas Berkah" pronounced clearly as am-pas ber-kah. Tiny breath before the first and third lines, an audible smile in the voice on the last line.

MUSIC — an emotional melodic backing track runs the full 15 seconds and tells the same arc as the visuals: 0.0–3.0 a warm confident groove, trustworthy; 3.0–3.4 a quick riser; 3.4–6.6 a clear bright build while the pages show; 7.0–10.8 driving forward with purpose; 11.0–14.6 the brightest, most emotional peak with a light rhythmic pulse pushing the call to action; 14.6–15.0 a satisfying resolve ending exactly with her held smile. The music is instrumental or soft wordless vocal hums only — no sung lyrics that fight the voice — and it is always mixed clearly UNDER the voice: the spoken words remain the loudest, clearest element at every moment, music ducking slightly under every line.

SOUND DETAIL — under the music: two soft fingernail taps on the tablet glass at second 1. The voice sits close, dry, slightly compressed like a phone mic. No reverb, no whoosh, no cinematic sound design.

ON-SCREEN TEXT — the baked headline from Image 1 ('SEMUA CARANYA', 'AKU TULIS LENGKAP', 'cuma 99 ribu') stays exactly as rendered until second 3.0, then fades out over 0.4 seconds and never returns; do not redraw or morph it. After the fade there must be NO text on screen at all for the rest of the clip: no subtitles, no captions, no word overlays, no stickers, no emoji — the human editor will add captions in post-production, so the video must be delivered completely clean of text.

LOOK — ordinary warm indoor light from a window, mild sensor noise, slightly warm white balance; subject sharp, background softly defocused; no color grade, no cinematic contrast. It must look like real phone footage an Indonesian mother recorded at home — raw, alive, believable.

DO NOT — no cuts, no scene change, no wardrobe or hair change, no other people or pets, no beauty filter or skin smoothing, no lens flare, no extra props, no logos, no watermark, no English on screen or in speech, no subtitles or captions of any kind after the headline fades, no sung lyrics over the voice, music never drowns the speech, and her face stays identical to Image 1 in every frame. The subject's identity must stay locked to Image 1 at all times. Every gesture must read clearly on a small phone screen. The pacing must feel alive from the first frame to the last. Movement between beats must be quick but never jittery. All timing boundaries are hard cues and must land on the stated seconds. The overall feel is warm, honest and completely natural. Nothing in the frame may drift or morph between the timed beats. Hand movements must stay inside the frame at all times. The final frame must hold perfectly still for the last moment. Prop positions must match Image 1 whenever the hands return to rest. The camera never reframes away from the described movement. Every expression must land exactly on the beats described, never early and never late. Skin texture must stay photographic and untouched in every single frame of the clip. The lighting must never flicker, shift colour or change direction at any point. The voice must stay perfectly synchronised with the described beats for every line. Background objects must keep their exact positions from the first frame to the last. Transitions between gestures must flow naturally like one unbroken real recording. The energy must follow the music arc described, rising and settling together.
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